Ringu 2


Horror / Mystery / Sci-Fi

IMDb Rating 6 10 11566


Uploaded By: FREEMAN
Downloaded 11,918 times
April 17, 2019 at 06:03 AM



Hiroyuki Sanada as Ryûji Takayama
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823.86 MB
23.976 fps
1hr 35 min
P/S 4 / 8
1.53 GB
23.976 fps
1hr 35 min
P/S 2 / 9

Movie Reviews

Reviewed by BrandtSponseller 8 / 10

Above average, but must be viewed as part of the Ringu series

Taking place immediately after the events of Ringu (1998), Ringu 2 features Mai Takano (Miki Nakatani) continuing the investigation into the events of Ringu. At the beginning of the film, Reiko (Nanako Matsushima) and Yoichi Asakawa (Katsumi Muramatsu) are still in "hiding"/"on the run" after their ordeals in Ringu. Both the police and Mai are hoping to find them. Meanwhile, Masami Kurahashi (Hitomi Sato), one of the two girls from the beginning of Ringu, is now in a mental hospital, the police have the remains of Sadako Yamamura's (Rie Inou) body, they're trying to recreate her living appearance through forensic modeling, and they've located a man who is supposedly Sadako's father, Takashi (Yoichi Numata).

Series note: As should be apparent from the above description, it's imperative that you watch Ringu before seeing Ringu 2. You may also wish to watch Ringu 0: Basudei (2000) before Ringu, and for fun, the original "Ring 2", Rasen/Spiral (1998) before or after this "replacement sequel" (this one was produced when audiences were dissatisfied with the very differently toned Rasen/Spiral).

Unlike Rasen/Spiral, Ringu 2 is so close in tone to Ringu that it seems more like a "second half" than a sequel. Also unlike Rasen/Spiral, I think that Ringu 2 is much more uneven. There are long swaths where the film is extremely bland. But there are also moments of brilliance, plus there is added value from the momentum of Ringu. They all average out in the end so that Ringu 2 earns an 8, or a "B", just as Rasen/Spiral did.

Many fans were dissatisfied with Rasen/Spiral heading off into sci-fi territory, on the way providing something of a scientific explanation for what turned out to be a "Ring virus". They thought it ruined some of the mystery from the first film. It's curious in that light that many of those same fans like Ringu 2 much better. There is also an attempt here at explaining the curse, and it also ends up in sci-fi land. There's even a seen that amusingly resembles sci-fi elements from John Boorman's underrated Exorcist II: The Heretic (1977). For much of the film, the Ring curse is more or less abandoned while the focus becomes Yoichi as a surrogate villain, perhaps as "possessed" as Regan was, just by a slightly different force.

Admittedly, though, the explanation for the curse in Ringu 2 is much different than it was in Rasen/Spiral, and despite the sci-fi, the strong mystery genre "investigation" elements that many loved so much in Ringu are woven throughout the plot. The sci-fi here is more psychological than Rasen/Spiral's medical sci-fi. There is a lot of talk of intentionality and theories of intentionality being physically manifested. The film's ontology has it so that "mental energy", emotions and thoughts can be suppressed and subsequently "concentrated" to such an extent that when released externally, they can be dangerous to others. Sadako, the chairperson of the Ringu villains, is the principal, most focused example of this, primarily because she's had 30 years in a veritable isolation chamber to effectively bury her thoughts. Is this an attempt to provide a subtext about the suppression of one's "real feelings and desires" in Japanese society? Maybe, but it doesn't work very well as such because the points are so shakily, ambiguously and infrequently realized in the film.

So we have to evaluate Ringu 2 more on its surface level. A lot of the film is a fairly pedestrian drama. Early ostensibly horrific events--such as the perusal of Reiko's apartment, deaths of supporting characters, possible "ghost" appearances, and the supernatural events surrounding Masami in the mental hospital--too often come across as a bit flat, almost banal. Ringu 2 is nothing if not a slow cooker. It improves, but very gradually.

By the time we get to one particular, very significant death, the film is cooking with full gas, but that's nearly an hour into a 90-minute film. Before that point, Ringu 2 is much closer to a 7, or a "C", if not slightly lower. I won't mention who dies in this pivotal scene, but it is beautifully realized. We never really see the body, but instead Nakata shows us bright red blood slowing flowing across pavement, trickling down cracks, filling up depressions.

From here to the end, Ringu 2 is much more even, often a 9 or above. The bulk of the "atmospheric" or "creepy" material arrives in this last half hour to forty minutes, such as the videotape of another young girl suddenly changing, her head bizarrely, violently shaking similarly to an effect first made popular in Jacob's Ladder (1990). Another standout moment is at the Yamamura family "hotel", when both Sadako and her mother eerily appear.

By the time the climax rolls around, the film is quite exciting, and Nakata forgoes dramatic sci-fi for more focused, horrific surrealism. Like Ringu, there is a climactic scene in a well, this one much more enigmatic, possibly meant to be a symbolic journey to the core of the pent-up emotions associated with Sadako (opposed to a more "journey to hell"-styled symbolism of Ringu), with the emergence from a light-filled "ring" representing the physical manifestation and release of the emotions through a person's eye (eyes are important ring-like metaphors/symbols throughout the film). In the finale, Nakata also more literally combines the ring symbolism with the series' ubiquitous water symbolism--water more than likely being used to represent a kind of unifying "spiritual" ("kamic" might be a better word) ether that permeates the world. Of course, he still leaves an opening for another sequel as well.

Unlike many films, Ringu 2 is impossible to evaluate "properly" in isolation. It must be contextualized with Ringu. It may be far from an excellent film on its own, but it's certainly above average when viewed in conjunction with the series.

Reviewed by Jerry-93 8 / 10

More plot, more scares, more idiocy

Even though Sadako had been around for a long time (there were Suzuki Koji's source books and two previous TV movies), it was the theatrical version of Ring that made her huge. So, of course, there has to be a sequel (which, oddly enough, wasn't based on the next book in Koji's series; different filmmakers had already adapted that as Spiral). It's a daunting task to make an effective sequel to one of the all-time creepiest movies, but the filmmakers pull it off. Unfortunately, a lot of stupidity gets in the way of the scares.

A lot of plot in this one. The movie opens a week after the first one ends. Reiko's dad has just died, and she and her son have gone into hiding. Mai, who found Ryuji's body at the end of Ring, is investigating her boss'/boyfriend's death. She thinks Reiko and her son hold the key to this mystery. So she teams with one of Reiko's co-workers (who's still working on the story of the cursed videotape) to try and track Reiko down. At this point, there's already enough plot for a movie, and I haven't even mentioned the return trip to Sadako's old home, the doctor who thinks he can get rid of Sadako, the burial of Sadako's physical body, the girl the co-worker betrays (and literally comes back to haunt him), and the weird, scary "exorcism of Sadako" finale. Plot, plot, plot.

Before I tear this movie a new one, let me say one thing: minute for minute, this one has more scares than the first one. In fact, the filmmakers have realized that Sadako has become so commonplace (a Sadako doppleganger appears in almost every Japanese horror movie made after the first Ring) that they need only show her trademark hair to invoke fear. And it works. But the massive, ridiculous plot nearly kills this movie. While it tries to explain the occurances of the first movie, it raises more questions than it answers (why does everyone suddenly have psychic ability?; why are people who haven't even seen the tape haunted by Sadako?; how does that girl see the tape if all the copies have been destroyed?) Still, with all of these potholes, the movie still works. It's also nice to see almost the entire cast of the first film reprise their roles (even the dead ones). An effective thriller, even though it doesn't make a whole lot of sense. Fans of the first one won't be disappointed.

Reviewed by Extraordinary_Machine 8 / 10

'Ring 2' is a creepy, worthy follow up to the first film...But Nakata and co. might like to try a little harder if they decide to make a third (or fourth?) instalment...

Ring 2

Mourning the inexplicable death of her teacher and friend, Ryuji (Hiroyuki Sanada), Mai Takano (Miki Nakatani) attempts to track down Ryuji's ex-wife, Reiko Asakawa (Nanako Matsushima), who has disappeared from Tokyo with her son Yoichi (Rikiya Otaka). The police, who are investigating the death of Reiko's father, are also looking for her, while Okazaki (Yûrei Yanagi), a work colleague of Reiko's, is continuing from her research on an urban legend involving a videotape that kills whoever watches it. Mai and Okazaki's searches lead them both to a mental institute where Masami (Hitomi Sato), who was witness to Sadako's appearance in her best friend Tomoko's house, is being treated by a doctor (Fumiyo Kohinata) who favours some unorthodox medical procedures. Mai eventually manages to track the Asakawas down, but Yoichi is beginning to exhibit some strange behaviour. Can they escape the clutches of Sadako once more?

On the exact same day that the insanely successful horror masterwork 'Ring' was released, its sequel, 'The Spiral', seemed to come and go without any fanfare whatsoever. As I haven't viewed a single scene from the original second instalment (written and directed by Jôji Iida), it's impossible for me to say if it was deserving enough of its incredibly poor critical and public reception to be completely erased from the continuity of the series (although some who saw it commented that they would rather have watched Sadako's cursed videotape instead). But, in any case, here we are with the replacement, 'Ring 2', which has caused producer Takashige Ichise to rethink his strategy concerning the next follow-up, and reunited most of the cast and crew from the original 'Ring'. This approach creates mostly pros in 'Ring 2', but also some cons as well.

An adaptation of a Kôji Suzuki novel, 'Ring' had a breakneck pace because of its "race-against-time" plotting, and 'Ring 2' picks up from this by beginning just days after the events of the first film, allowing the audience to observe the aftermath of the terror that Sadako and her tape wreaked on so many people. But 'Ring 2' isn't based on a book like 'The Spiral' was, and screenwriter Hiroshi Takashi has nothing to build on but the first film. Wisely, Takashi chooses to go off in a new direction with the story instead of merely rehashing what has come before. But 'Ring 2', which hit the ground running, soon slows to a jog. Takashi answers a few too many questions lingering from the first 'Ring', and while he counters this by raising almost as many (especially with the "weird science" sections in the final act), one may feel robbed of some of the first film's mystery. However, there's a very interesting subplot involving a schoolgirl named Kanae (played by Kyôko Fukada) who owns a copy of the tape that Okazaki wants to study, and this provides a truly hair-raising sequence, similar to the climax of the first film, where interview footage of a young woman somehow refuses to be erased from the videotape it is on. 'Ring 2' is a nice mix of the best elements of its predecessor and some intriguing new material, but it's also a slightly uneasy one too.

With director Hideo Nakata ('Chaos') back on board, it's to be supposed that 'Ring 2' would end up as unsettling as the first film, and the director almost meets this dizzyingly high expectation, but he doesn't want to indulge himself here as much as he did the first time around. Nakata unnecessarily restrains himself on all fronts, with the sound design here being less potent, the cinematography not as innovative, and composer Kenji Kawai's music cues not as chilling as his work on the first film. That said, alongside a thrilling third act, Nakata does offer the audience a host of truly disturbing images, such as a melted, burnt-to-a-crisp videotape in a bathtub, Sadako's reconstructed facial features, and again, the distorted photos of those unlucky enough to have been "marked" by Sadako. But, dare I say it, Nakata seems to have become a tiny bit unenthusiastic with 'Ring 2', and this mutes some of the terror that he summoned up so effortlessly in the first film.

As in 'The Spiral', pop star Miki Nakatani, who was essentially a cameo in 'Ring' (despite being billed second), is elevated to the lead here. While certainly a competent actress (and has the "surprised/shocked/scared" expression nailed), it's difficult to empathise as much with the character of Mai as it is to with Reiko in the first film. Not only due to the step down from Nanako Matsushima's solid performance, but also as events seem to drop into Mai's lap at random. Maybe Nakatani is not to blame; Mai isn't a particularly strong heroine. But, lest I forget, the film is surprisingly as much about the supporting characters as it is about Mai. Especially the denouement, which promises a whole new cycle of horror by leaving the door wide open for another sequel. I can safely say that 'Ring 2' is a creepy, worthy follow up to the first film. But Nakata and co. might like to try a little harder if they decide to make a third (or fourth?) instalment.

~ 8/10 ~

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