During the 96 minutes, I feel like a bird crossing time and space.
I was amazed by the images and the camera technique. For just a few second images, the filmmaker have to overcome how many difficulties! What a spectacular job!
Moreover, the questions it brings to me strike me, and it makes me rethink about the human life. The contrast between the worlds and the cultures punch me so hard.
This movie is absolutely in my collection.
Without words, cameras show us the world, with an emphasis not on "where," but on "what's there." It begins with morning, natural landscapes and people at prayer: volcanoes, water falls, veldts, and forests; several hundred Balinese Hindu men perform kecak, the monkey chant. Indigenous peoples apply body paint; whole villages dance. The film moves to destruction of nature via logging, blasting, and strip mining. Images of poverty, rapid urban life, and factories give way to war, concentration camps, and mass graves. Ancient ruins come into view, and then a sacred river where pilgrims bathe and funeral pyres burn. Prayer and nature return. A monk rings a huge bell; stars wheel across the sky.
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April 09, 2019 at 11:20 PM